bluhblahbluh: (phone)
Drac had finally decided to up and leave the clinic. Upon returning home, he found a message on his phone from Mavis.

... Don't ask how he got the message. He not only hated using the phone, but he still wasn't sure why there was no operator on the other end of the line! It just helped so much!

But where there's a will there's a way and now he was trying to call Mavis back...

Well. Hmm. The Hotel must be busy if he had to leave a message!

Now he was sitting beside the phone waiting for a call back from Mavis to let him know the hotel wasn't on fire that she was fine.

Too bad he'd turned the phone off in his fiddling around. Any calls were going direct to voicemail.

... "Who filled my ice box with stale tacos?!"
bluhblahbluh: (billowing cape)
It had been days since housekeeping had been in the suite - he'd long discovered that Martha couldn't move or talk when he wasn't alone. And how could he do that, shut her back into her lonely prison? Drac had given up sleeping in his coffin, too. Shutting the lid against Martha had just hurt too much. He wasn't sleeping anyway. He still had so much to talk to Martha about! He'd only caught her up to the night Mavis' baby fangs fell out!

Every day he was losing the energy desire to do more than stay with his Martha. His voice was soft and low, slightly cracking and getting more hoarse every day, but he didn't care. He continued to tell stories of his life since he'd lost his beloved.

He was still allergic to sunlight, though, and he didn't have the energy desire to continue getting up to closing and open the drapes, so despite his exhaustion he had pulled the painting to him and was curled up in a dark corner of the room. He was small, huddled in on himself and the painting. Still and gray, he lay there talking softly and haltingly, assuring Martha that she would soon be free, be with him and their daughter again, his hand resting gently on the oils where Martha's cheek was.

'More,' the painting urged him. )



[So many ♥s to [livejournal.com profile] tigerundercover for this!! NFI, obvs.]
bluhblahbluh: (questioning)
While it wasn't unusual for Drac to be up so long after dawn, it was unusual for him to be up and not doing things, ordering staff about, yelling at suppliers, or placating guests.

No, Drac had stayed up late into Tuesday morning talking with a painting.

At first, Drac had assumed it was leftover effects of the wine or someone playing a trick on him - not that he could think of someone that would. Perhaps a gremlin in the walls? It was not real, in any case. His wife was dead and this was nothing but a well done painting he'd never known existed.

But all Monday listening to his dead wife's voice pleading for him to say something, he broke and answered her.

And then, the longer he spoke to it, the more the painting changed. From a fine portrait to a fully moving image of Martha, trapped behind an invisible wall and bound by a crumbling frame.

"I was cursed," Martha had sobbed when he finally woke on Monday night.

Instead of dying, she had somehow survived and was found in the rubble of the fire by looting villagers. "They trapped me in this painting. A prisoner, forced to watch over them for eternity."

Drac... Drac could feel the old resentment and hate returning as he heard the whole of her tale of imprisonment for the past 117 years.

"Don't cry my beloved." He raised a hand to try to cup her face, an instinctive move he'd thought long buried. A move that was stopped by the solid wall of magic that was the cursed painting.

He couldn't touch her. Still.

"Oh, my love." Martha's head tilted gently as she wiped her cheek with one hand, the other reaching to lay flat against her side of the magic wall. "I've so long thought you dead. They told me... So many times I have wished I died that night with you and Mavis."

The sunlight streaming through the drapes was what it took to get him to leave her just as far as his coffin, Tuesday morning.

And now, Tuesday evening, he was again staring at the wall. The painting, however, was nothing but a flat portrait. Nothing he said got a response and there was no sign of movement. Reaching out, he could feel the oils on the canvas. He'd lost her all over again.

"Sir? I've finished the cleaning and gathered your things for the dry cleaner." The hotel housekeeper returned to the main room of the suite where Drac was standing. "Your kitchen is stocked again. Is there anything else I can do for you before I leave? ...Sir?"

"Hmm?" Drac finally turned and acknowledged the woman. "No no. That is all. Thank you; you may go."

He sighed as he headed to his desk to start some work. Perhaps his 'conversation' with Martha had been a dream after all.

Only after the click of the suite door indicated that the Count was truly alone, though, did the voice come from the wall behind him:

"Drac?"
bluhblahbluh: (Hurts)
Untitled-2Drac had returned home almost immediately after buying the portrait of Martha Saturday evening, hanging it on the wall immediately across from his casket. He'd then spent the rest of the evening with a bottle of wine, just looking at the painting and remembering.

It wasn't until the end of the bottle that he began remembering the part he wanted to forget.

He was more tired than usual when he went to bed.


Tonight... Drac didn't have wine, but he was still full of memories. He had done some paperwork, but soon found himself again sitting and staring at the portrait. "My dearest Martha. I miss you."

... there was a faint sound, suddenly, in the silence after his statement. It sounded oddly like someone whispering, "Honey?"

Hmm. That was odd. He looked around to the desk behind him. Was the radio left on?

"Drac... Honey? Is that really you?"

Wait. That sounded like...

He turned back to the painting.

giphy3


"Martha?"





[Establishy]
bluhblahbluh: (WHY?)
Drac's office hours had technically been yesterday, but Drac liked his office, okay? Also, Mavis was very unlikely to show up there and find out what he was doing... )


[OPEN! I spaced on office hours yesterday and so, la! Today the count is in. Any replies will be slow as I am at work and my browser hates on LJ liek whoa.]
bluhblahbluh: (phone)
When the line connected, Drac uttered a line he hadn't for about 75 years: "Wayne, I need your help with Mavis."

Because your ex-bandmate BFF is the FIRST person to call for parenting help. )

[office door is open, but there's a barricade at the door because of a certain pup. Feel free to visit!]
bluhblahbluh: (with mavis)
Owning a hotel full of monsters with varying personal needs meant he was on call 24-hours a day. But while Drac was used to being awake at odd hours, he'd always tried to keep a proper personal dining schedule for Mavis' sake; both Martha and he had agreed that gathering together as a family, at least at the table, was important in the development of a child.

And that schedule said that at this early hour all good and proper little vampires were either asleep or just waking up to breakfast. But since the island they'd moved to was operating on daylight hours, besides insisting that Mavis join him for meals at least once a week, Drac was slowly trying to adjust their meal times to match the islanders. Hence this confused mix of a meal before him.

The lights were out and the table was set with candles. Normal for any meal. The goblets were filled with NearBlood (with lots of pulp added plasma, since someone was still a growing vampire). Normal for the hour. The platters were piled high with wormcakes, omelettes, lizard and screamcheese sandwiches, fried scorpions, mouse jelly, and other foods that weren't really breakfast or lunch. Not normal at all.

Not. Normal.

Drac placed another wormcake on his plate and reached for the syrup with a small OCD-heavy sigh. Well... Maybe if he considered it brunch?

"So, Mouse. Tell me. How are you doing in classes? Are you making friends?"



[for [livejournal.com profile] callmemavy]

Voicemail

Jul. 7th, 2009 10:53 pm
bluhblahbluh: (phone)
Hello, operator?

...

Hello? Is anybody there?

...

What kind of hotel is this, that there is no one operating the switchboard? Where is the management? Hello?!

Fine I will go downstairs myself. Always *fading voice* if you want something done right...

*sound of door opening and closing*

*silence*

*beep*
bluhblahbluh: (hat)
The Play: Sour Grapes of Death (adapted from Sour Grapes of Wrath http://www.whodunitmysteries.com/sour.html)

One year ago, Robert Killingsworth bought the farm. Six months later, he was dead, leaving his widow Elizabeth to tend to their fledgling vineyard and winery on the outskirts of California’s wine country. With mounting debts and no idea how to run a business, Elizabeth is desperate to sell the farm and recoup her losses. The fierce drought and shaky economy, however, have left Killingsworth Farm on the market for far too long.

One autumn day, seven people passed through the gates of Killingsworth Farm to see Elizabeth. One of them, Detective Yu discovers, is the last person Elizabeth ever sees.

++
Detective Yu – Local detective on vacation, is visiting the Killingsworth estate for the evening, supposedly to speak with Elizabeth regarding her husband’s cold case. Patient, intelligent, and a hard worker, Detective Yu is a very undistinguished figure. He’s cerebral, accommodating in personality and unthreatening in demeanor.

Dr. Chelsea Barren – after suffering a nervous breakdown, this psychiatrist and near-best-selling author moved next door to the Killingsworths.
  • Costume: Sophisticated pantsuit, colorful blouse, sensible shoes, expensive jewelry, disheveled hair, notepad and pen in hand.

    Enrique Graves – A young drifter who wandered onto Killingsworth farm last year just as Robert and Elizabeth were moving in. Elizabeth took a liking to Enrique and he has lived on the farm ever since – tending to the fields… among other things.
  • Costume Suggestion: Tight faded jeans, rolled-sleeve shirt over muscle shirt or open chest, thick belt, slicked-back hair, screwdriver in hand.

    Kathryn Lawless – Best friend to Elizabeth, this local librarian and historian has a flare for the eccentric. She lives down the road with her cats and loves true crime – especially the mysterious unsolved death or Robert Killingsworth.
  • Costume Suggestion: Tweed skirt and jacket, plain white blouse, flat shoes, eyeglasses, large brooch, library book or pet cat in hand.

    Michael Nightshade – A real estate developer from New York arrived unannounced with plans to buy Killingsworth Farm and develop it into a low-cost housing community. His boss ordered him to obtain the Killingsworth land at any cost.
  • Costume Suggestion: Charcoal business suit, confidant tie, flashy watch, dark sunglasses, conservative hair, mobile phone in hand.

    Vicki D’Adly – Elizabeth’s estranged sister from New Jersey, she and her husband were traveling on vacation when Vicki decided to drop by Killingsworth Farm for a surprise visit.
  • Costume Suggestion: Short skirt, tight low-cut blouse, high heels, chunky jewelry, big hair, tabloid magazine in hand.

    Norman D’Adly – A real estate broker from New Jersey and husband to Vicki, Norman is trying to salvage his job and his marriage while traveling across the country on vacation.
  • Costume Suggestion: Khaki pants, casual shirt, understated belt, hiking shoes, relaxed hair, binoculars in hand.
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